Lighting a cultural heritage artifact requires balancing visual perception with preventive conservation, by providing the best lighting (in terms of spectral distribution and quantity) to enable the viewer to appreciate details and color, while limiting photo-induced degradation. The paper outlines the methodology applied by a multi-disciplinary team while lighting the Shroud of Turin at its last public exhibition in 2015. The methodology considered the special requirements of the Shroud, including exposure to ultraviolet light, while providing appropriate display conditions that would meet audience expectations. The desired appearance (readability of the body image and color) was defined with the help of Shroud researchers and confirmed by subjective tests, while appropriate light levels for preservation were set in agreement with standard requirements and using knowledge of the degradation of linen in visible and UV light. The installation provided a controlled environment and a managed visitor route to the Shroud, assuring excellent perception of both details and color, with the lowest illuminance level about 15 lx.
Lighting the Shroud of Turin for Exhibition in 2015 / Iacomussi, P.; Radis, M.; Valpreda, F.; Rossi, G.; Di Lazzaro, P.. - In: STUDIES IN CONSERVATION. - ISSN 0039-3630. - 63:sup1(2018), pp. 127-131.
|Titolo:||Lighting the Shroud of Turin for Exhibition in 2015|
IACOMUSSI, PAOLA (Corresponding)
|Data di pubblicazione:||2018|
|Citazione:||Lighting the Shroud of Turin for Exhibition in 2015 / Iacomussi, P.; Radis, M.; Valpreda, F.; Rossi, G.; Di Lazzaro, P.. - In: STUDIES IN CONSERVATION. - ISSN 0039-3630. - 63:sup1(2018), pp. 127-131.|
|Appare nelle tipologie:||1.1 Articolo in rivista|